My
walk-on role on
NUMB3RS
Season
5, Episode 2, "The Decoy
Effect" aired Friday, October 10,
2008
On July 25, 2008
I was an extra on the CBS TV show NUMB3RS. A once in a lifetime
experience that, truthfully, I probably
wouldn't want to experience more than
once. It was exciting, fun, and
exhausting work. The best part was
meeting such wonderful, friendly people,
especially Patricia Warren, Assistant to
Co-Executive Producer, Lewis Abel.
Patricia Warren, Laura,
and me (clean shaven for the true FBI
look)
The cast and
crew were terrific, very friendly and
accommodating and some would go out of
their way to meet us and show us around.
The only thing that I regret is that I
didn't get pictures of some of the crew
that took such good care of us (my wife,
Laura, and me) while we were there,
especially Jim and Kano. But then,
everybody was working, and it didn't seem
appropriate to interrupt them during
their work.
Being on the set
of NUMB3RS, seeing what actually takes
place behind and within the scenes, is
quite a learning experience.
I won this
walk-on role in a drawing at the CMC3
(California Mathematics Council of
Community Colleges) Fall conference in
November, 2007, in Monterey, California.
It was there that David Krumholtz
(Charlie Eppes on the show) was the
conference special guest and recipient of
an honorary degree from Lake Tahoe
Community College. At the closing of the
conference he drew two cards for a raffle
drawing, and both Sue Broxholm and I won
the opportunity described herein. (I was
told that Sue's walk-on date was two
weeks after mine.)
Bob with David Krumholz;
Wei-Jen Harrison looks on.
A
walk-on is, to put it
truthfully, an honored extra.
There are no speaking lines and the
person may be in the actual production
anywhere from 5 to 15 seconds total. I'm
just guessing on that; we'll see when the
show actually airs, on Friday, October
10, the second episode of Season 5 on
CBS. Now
that the show has aired, I think I may
have been in a total of 3.7 seconds,
including the part where only my nose can
be seen. Another time, you can see my
fingers typing furiously on the keyboard,
and another time, I am in the background
walking, behind the main scene taking
place in the war room. Here is a picture
of the actual episode:
An actual screen shot
from the show. I am second from the
right.
An actual screen shot
from the show. A fuzzy nose shot on the
far right.
An actual screen shot
from the show. My fingers are the second
set (from the right).
The more
prominent scenes that I was in take place
in the war room of the FBI
headquarters. To shoot the two scenes in
which I was present took about 6 hours,
including
- rehearsal
time with the first
team (the principle
actors);
- lighting
and such with the second team
(stand ins for the actors);
- run through
rehearsals with the extras
(called background
and referred to in the script as
atmosphere);
- and the
actual shooting of the scene,
where the cameras are rolling.
In the war room, ready
for action or Solitaire.
Each scene is
shot several times, not just because of
the occasional mistakes or corrections,
but because the director wants several
camera angles of the same scene. All
told, there might be 12 camera angles in
a single scene, but this is done with
only two cameras (so they don't get in
each other's way and camera view) and
this means the actors must say their
lines and have good takes several times
for each scene.
Extras
(background, atmosphere) are also used
outside of the war room, which has large
glass windows on either side, looking
into either the corridor (where extras
walk back and forth to good timing) or
the bull pen, where the desk
scenes are shot. In the bull pen, some
extras sit or stand at a desk, some talk
on the phone or flip through files, while
others walk back and forth carrying files
or having important
conversations.
In the bull pen. Do I
hear J. Edgar Hoover calling?
The extras, who
must be very quiet, often create their
own silent dialog and actions to 1)
create a realistic scenario of a busy
office, and 2) make it more interesting
and enjoyable for themselves.
When the war
room camera is pointed toward the bull
pen, those extras are busy with their
various walking/standing/busy-looking
tasks. Then there is a
turn-around where at least
one war room camera will shoot toward the
corridor side, and a whole new set of
extras are needed and the whole scene is
acted out once again.
All, of these
different shots of a single scene will be
blended together by the editing team,
creating just a single scene that may
actually last just 2 minutes (or less!)
of the show. (It usually takes 8 full
days of shooting to create an entire
episode.)
Looking into the war
room from the bull pen.
All in all, the
set is not a glamorous place and, even
though there is a lot of down time, the
work can be rather tiring. During down
time, the extra dare not interact with
the actors, (though as a featured extra,
knowing that I couldn't be fired, I took
a little liberty with that, but not
much).
Many extras
(non-union) earn a minimum wage of $8 per
hour, and they get paid for a minimum of
8 hours per day, even if they work less
than that. If they work more than 8 hours
in a day (which is common), their hourly
rate jumps to 150% of their normal rate
for hours 9-12; they get double time for
hours 13-16. If they are required to work
more than 16 hours in one day (this is
very rare), then they get
golden time. This is rather
extreme because their hourly rate (for
each hour beyond 16 hours) is equivalent
to their normal daily rate of pay. So, a
non-union extra making $8 an hour ($64 a
day) will make $64 each hour after 16
hours. (You know there are some good math
problems in all of that.) Union extras
earn up to$16 per hour ($128 per hour for
golden time). Obviously, the producers
never want the director to go golden
because this is very expensive for the
production.
Steve (an extra), on my
left, has a better face for this FBI
work.
Overall, the
experience was quite fun and wonderful to
remember. It was interesting to meet some
of the actors, who were all very
friendly. It was like meeting friends. In
fact, Ali Ballard went out of his way to
look for me to greet me and shake my
hand.
Alimi Ballard, Rob
Morrow, director, Laura & Bob, Navi
Rawan, and Peter MacNicol
Some of the
actors on the show, such as David Krumholtz and Judd Hirsch (Alan Eppes), were not
present because they were not in the
scenes that were shooting that day. Rob Morrow (Don Eppes), the start
of the show, was there from the very
beginning (11 AM), but Navi Rawat (Amita) and Peter MacNicol (Larry) showed up about
3 hours later, and Sophina (and new cast
member) and Ali Ballard (David) arrived after
dinner. Dylan Bruno (Colby) wasn't needed
until about 8 PM, so we didn't get him in
the group picture.
Bob & Laura with
Dylan Bruno
As an outside
observer, I thought about who the actors
were and why they are the lucky
ones to do what they are doing.
After all, they're just reciting lines of
script, right? Well, luck may have some
role to play in it, but many who make it
to the big time, like the cast members of
this show, don't just walk in and become
stars. Most got on NUMB3RS after having
been in other shows with big or small
parts (check out their bios). Some may
have even been extras at one time, trying
to get noticed. There are a lot of
talented people trying to make it in this
business, but there are only so many
positions available.
Yes, it's their
looks, too, but if all they have is the
look, they won't make it very far. As I
witnessed, their work is work!
It is sometimes tedious, and can be hard
to say the same lines with the same
inflection and the same expression 6 or
more times each scene, and to say it in a
way that maintains the personality of the
character that they have created over
time. In other words, these are quite
talented people, and I was lucky enough
to watch them do their job.
In a brief
conversation with Peter MacNicol, I
quickly learned that he has a funny, dry
wit. And Rob Morrow showed his other
talent on the set in the war room. A
couple of times, while the lighting crew
was making adjustments for the new camera
angles, Rob sang a song that was in his
head, acapella; he has a very good
singing voice, and he later told me that
he spends a good amount of his down time
in his trailer playing his guitar and
singing.
In
Charlie's office at "Cal
Sci."
You
do the math!
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Charlie's
garage. Definitely more
interesting
(and cleaner) than mine.
|
I
also enjoyed meeting some of the extras,
including Steve, Adrian, Frank, Marcus,
Ivonne, and Jai. Marcus and Ivonne are
regular extras on NUMB3RS, and the others
have been on just a few times (among
other shows) or just the first time. I
also enjoyed meeting some of the people
behind the scenes. Jeff, the 2nd 2nd
assistant director (in charge of the
extras); Jim Fuller (Key Set Production
Assistant); Kano (Set Production
Assistant); Kenny (in charge of props);
Rosanna (make-up); Arturo (hair styling);
and many others that are behind the
scenes.
We also met Curt
who owns the catering trailer that sits
outside of the studio building where the
scenes are taking place. That's another
thing. Every item of food in Curt's
trailer was free to cast and crew,
everybody. in addition to Curt's trailer,
there was another trailer down the alley
that catered breakfast and lunch, again
free to each person who works on the
show. Lunch was delicious: scallop
potatoes like I've never tasted never
before, rack of lamb, fresh fish, salads,
desserts, fruit, and so on. It was
definitely worth the price of admission!
FBI
Agent, licensed to carry a prop.
|
This
guy looks like he needs a desk
job.
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So,
would I do it again? Well, I'm not ready
to quit my day job, but if I ever did,
and moved to Los Angeles ... wait! Moving
to Los Angeles is a big enough detractor
for me. So no, I guess I never would do
it again, at least not on a regular
basis, but it's great for a one-time
thing. Maybe you could win a raffle
drawing, or bid in an open auction like
the two people who paid $17,000 at a
charity fund raiser to do what I did. I
guess if you pay that much, the lunch had
better be good, huh?
If you want more
information about being an extra in TV or
film, check out this website.
Back to Bob's
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